This intersection of professionalism and amateur patronage during the Age of Enlightenment provided the stage for what would later become the national anthem of a yet-unborn country. Much of this new work across many disciplines was created by professional specialists commissioned by wealthy patrons eager to embrace the Neo-Classical spirit of the age. As in the contemporary fields of art, architecture, and politics, poets and musicians active during the second half of the eighteenth century created new works inspired by ancient precedents. Students of “classical” Greek and Roman literature rediscovered Anacreon along with a host of other writers and drew inspiration from the distant past.

More than two millennia after the death of Anacreon, the people of eighteenth century Europe witnessed a resurgence of interest in the history and culture of the ancient world. Lyric poetry written in imitation of Anacreon, or in the spirit of his works, was described as being “anacreontic.” By its very nature, anacreontic poetry is always associated with music. His use of specific meters or rhythmic patterns helped create memorable forms that inspired later writers. Furthermore, Anacreon specialized in lyric poems that were meant to be sung or declaimed with musical accompaniment. This body of work includes numerous references to women, amorous flirtation, and drinking, but the language is never coarse or vulgar. He is mostly remembered for copious verses celebrating the virtues and joys of wine, love, and convivial fellowship. Most of his poems were written for the entertainment of wealthy patrons, and consequently express sentiments that are generally lighthearted and pleasant. Episode 207: The Star-Spangled Spirit of CharlestonĪnacreon was a Greek poet active during the sixth century B.C.E.

The star the star spangled banner song